By Zandria F. Robinson
Robinson grounds her paintings in Memphis--the first significant urban heading north out of the Mississippi Delta. even supposing Memphis sheds mild on a lot in regards to the South, Robinson doesn't recommend that the area is monolithic. as an alternative, she attends to a number of Souths, noting the differences among southern areas. Memphis, neither outdated South nor New South, sits on the intersections of rural and concrete, soul and post-soul, and civil rights and post-civil rights, representing an ongoing dialog with the various incarnations of the South, prior and present.
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Extra resources for This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South (New Directions in Southern Studies)
This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South (New Directions in Southern Studies) by Zandria F. Robinson