By Nancy J Nersessian
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Why are a few performers exhilarated and energized approximately acting in public, whereas others suppose a crushing experience of worry and dread, and adventure public functionality as an overpowering problem that has to be persevered? What are the standards that produce such enormously diversified functionality reviews? Why have consummate artists like Frederic Chopin, Sergei Rachmaninoff, Pablo Cassals, Tatiana Troyanos, and Barbra Streisand skilled such excessive tune performanceanxiety?
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Additional info for Creating Scientific Concepts (MIT Press)
Creating Scientific Concepts (MIT Press) by Nancy J Nersessian