By E. Patrick Johnson
Johnson seems to be at numerous websites of played blackness, together with Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic exercises by means of Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings through Amiri Baraka and Eldridge Cleaver, the vernacular of black homosexual tradition, an oral historical past of his grandmother’s adventure as a family employee within the South, gospel track as played through a white Australian choir, and pedagogy in a functionality reviews school room. via exploring the divergent goals and results of those performances—ranging from resisting racism, sexism, and homophobia to apart from sexual dissidents from the black community—Johnson deftly analyzes the a number of significations of blackness and their myriad political implications. His reflexive account considers his personal complicity, as ethnographer and instructor, in authenticating narratives of blackness.
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Extra resources for Appropriating Blackness: Performance and the Politics of Authenticity
Appropriating Blackness: Performance and the Politics of Authenticity by E. Patrick Johnson